Amalia costume from Cyprus.
Skirt of satakrouta, a pure silk fabric made from coarse unboiled silk. The name derives from the Italian term seta cruda. The colour of the fabric is somon (from the French saumon, salmon). The light-coloured field is interrupted at intervals by parallel horizontal stripes formed in the weft. The stripes are in three groups, each of which has six stripes – three fine and three broader stripes. The colours (from top to bottom) are light green, deep red, and purple. Below the bottom group, at the lower edge of the skirt, there is a broad band in dark/cypress green. The thin stripes have a 0.5 cm width, the wide stripes have a 1 cm width, and the green band at the bottom is 4 cm wide. The width of each group is 10 cm. The skirt is ankle-length and widens towards the hem. It gathers at the waist, where a thin belt of the same fabric has been sewn on. At the side, there is a vertical opening of 15 cm, with two cotton ribbons that tie at the waist. It is lined with off-white cotton fabric and it has a simple hem at the bottom. In places, the fabric is stained and shows signs of wear.
Women’s short long-sleeved jacket (sarka) of black felt, with sewn-on decoration. The sarka consists of a single piece of fabric, which covers the chest and the back, while additional pieces cover the body under the armpits. The sleeves are made of separate pieces of felt, which are sewn vertically onto the body. The vertical opening on the chest is deep and oval-shaped, and closes at the lower part with five hook-and-eye clasps. Around the opening of the chest, all around the bottom edge of the garment and the edges of the sleeves, there is a sewn-on decorative band of twisted cord and gold thread, formed into stylised floral patterns with a chain-like finish.
Gilt buckle (poukla) made of silver alloy.
Myrmidin, a women's metallic gold-plated breast ornament. It consists of thin chains, with three vertical ones connected by nine horizontal ones.
Silver-gilt pendant comprising a chain of spherical filigree beads (toutounia), and a filigree cross.
Headscarve made of kouroukla, dyed with a dark burgundy colour, called xidin. It is decorated with printed floral motifs in red and yellow, with black outlining. The designs – of the edges (kkenarin) and the four corners (the milia) – are similar to those of the other printed headscarves of the workshop of Evris Michael (or Euripides Mantilaris) and Kakoullis Brothers. Pipilla lace decorates the edges of the headscarves and is handsewn in silk thread. The lace pattern features tiny white flowers with green leaves, repeated in a row.