Photograph

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This photograph captures a group of girls dressed in elaborate costumes as geishas, celebrating the Anthestiria Festival in the public garden in Limassol. The image showcases the festive and cultural creativity of the time, with the participants wearing traditional Japanese-inspired attire. The girls are dressed in long kimonos with intricate floral patterns, evoking the traditional attire of geishas. The kimonos feature wide sleeves and are tied at the waist with obi-style sashes, adding a layer of authenticity and elegance to their costumes. Some participants have styled their hair with decorative elements, such as flowers or ornaments, further enhancing their geisha-inspired appearance. Footwear is simple and practical, likely to ensure comfort during the outdoor celebration, though it contrasts slightly with the traditional geta or zori associated with geishas.

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This photograph captures a group of women and students during an excursion to the public garden in Limassol, showcasing a moment of relaxation and camaraderie among teachers and students. Second from the left, with white hair, is the teacher Eleni Nikolaidou-Aftonomou, dressed in a white blouse tucked into a dark skirt. First on the right, standing, is the student Genovefa Angelinidou, dressed in a modest long-sleeved dress with a high collar and fitted waist. The standing women and students are dressed in coordinated, modest dresses or skirts, many featuring high collars and long sleeves. The clothing is practical yet formal. Some women wear belted waists or accessorize their outfits with simple jewelry or pins. The seated students are similarly dressed, with their skirts extending to the ankle. Footwear includes simple, practical shoes, suitable for walking and outdoor activities.

CYLHA.10.059 (116)

This photograph captures a group of women and students during an excursion to the public garden in Limassol, showcasing a moment of relaxation and camaraderie among teachers and students. Second from the left, with white hair, is the teacher Eleni Nikolaidou-Aftonomou, dressed in a white blouse tucked into a dark skirt. First on the right, standing, is the student Genovefa Angelinidou, dressed in a modest long-sleeved dress with a high collar and fitted waist. The standing women and students are dressed in coordinated, modest dresses or skirts, many featuring high collars and long sleeves. The clothing is practical yet formal. Some women wear belted waists or accessorize their outfits with simple jewelry or pins. The seated students are similarly dressed, with their skirts extending to the ankle. Footwear includes simple, practical shoes, suitable for walking and outdoor activities.

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This photograph captures members of the Limassol Mountaineering Club on an excursion to Paphos. The group is composed of men and women dressed in attire typical of mid-20th-century outings, blending practicality and style. At the center, standing with a helmet, is Yiangos Potamitis. Next to him is Costas Michaelides, also known as "Mesanoitis", a renowned billiards’ champion of Cyprus, an employee of KEO, and later Maroula Potamiti’s husband. He is dressed in light, casual clothing. To his right is Sandri Zinonos, wearing a patterned outfit. On the far left, standing, is Maroula Potamiti-Michaelidou, dressed in a practical ensemble with a patterned dress. The second person from the right, standing, is the bookseller Mitsios Gavriilidis, dressed in light trousers and a button-up shirt, paired with sunglasses. The members of the group are dressed in a mix of casual and semi-formal clothing appropriate for an outdoor excursion. The men wear light trousers, shirts, and hats, prioritizing comfort while maintaining a neat appearance. Some wear helmets, adding a practical touch for the mountaineering aspect of the excursion. The women are dressed in modest dresses or skirts, with some accessorizing with hats or scarves. A few also carry personal items, such as bags or small bouquets, adding to the charm of the image.

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This photograph features Genovefa Orati-Angelinidou with her students from the Limassol Girls' School, captured in an outdoor setting. The group is gathered among flowers and foliage, with a palm tree and a stone wall. Genovefa Orati-Angelinidou, standing among the students, wearing a white jacket and a white hat. A second teacher is dressed in a dark, modest dress with long sleeves and a high neckline. The students are dressed in similar school uniforms consisting of long-sleeved shirts or blouses paired with skirts or dresses. Many of the girls wear their hair in neat bobs or braids. Some of the students in the front row hold gardening tools, such as watering cans and spades, suggesting they are engaged in a practical gardening activity as part of their education.

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This photograph captures a group of individuals seated and standing in a relaxed indoor setting. The identified individuals in the image are Yiangos Potamitis (seated at the bottom left), Takis Frangoudis (standing at the top right), and Aimilios Chourmouzis (seated at the bottom right). The fourth individual, a woman standing at the center, remains unidentified. Yiangos Potamitis, seated at the bottom left, is dressed in a well-tailored pinstriped suit, paired with a white shirt and tie. Takis Frangoudis, standing at the top right, wears a dark suit with a high-collared shirt and tie. Aimilios Chourmouzis, seated at the bottom right, also sports a sharp, dark suit with a white shirt and tie, complemented by a pocket square. The woman in the center, standing, wears a modest dress with a white blouse underneath, featuring a pointed collar.

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This photograph captures a serene moment in the public garden of Limassol, framed by lush palm trees and vibrant flowerbeds. The group includes, from left to right, Genovefa Orati-Angelinidou, an unidentified lady, Eleni Nikolaidou-Aftonomou, and an unidentified man. The natural setting provides a picturesque backdrop, emphasizing the beauty of the garden. Genovefa Orati-Angelinidou, on the far left, is dressed in a modest, long-sleeved dress with a fitted waist. The unidentified lady next to her wears a dark, long-sleeved dress. Eleni Nikolaidou-Aftonomou, positioned third, is dressed in a white blouse and dark colored skirt. The unidentified man, on the far right, is dressed in a light shirt and trousers, complemented by a white hat.

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This portrait features Theodora Potamiti Myrianthous, Faidon and Dimitros Potamitis’ sister, seated in a formal studio setting. Theodora is dressed in an elegant yet modest ensemble, consisting of a dark jacket with a high collar and detailed tailoring. The jacket is adorned with subtle embellishments, such as fabric accents or lapel details. Underneath, she appears to wear a blouse with a lighter-toned collar, providing a contrast to the darker outer layer. She wears a simple necklace and her neatly combed hair is styled close to her head, reflecting the grooming norms of the era.

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This photograph captures Genovefa Orati-Angelinidou with her students from the Limassol Girls' School, posed outdoors. The group appears to be engaged in needlework or craft activities, showcasing the emphasis on practical education during the era. Genovefa Orati-Angelinidou, standing at the center of the back row, is dressed in a modest and practical outfit, likely a long-sleeved blouse paired with a skirt. The students, seated and standing in two rows, are dressed in similar styles, wearing simple and modest dresses. The dresses are knee-length with collars and buttoned fronts. Most of the students have their hair styled in neat bobs or short waves. The students are engaged in handcrafting, with many holding knitting needles, yarn, or pieces of fabric. A few appear to be working on embroidery or similar crafts, indicating a lesson in practical skills such as sewing or knitting, which were integral to the curriculum at the time.

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This portrait features four women posed in a tiered arrangement. From the top to the bottom, the individuals are Maria Rousou, Maria Oreinou, Maria Angelinidou-Potamiti, and Oreinou. Maria Rousou, at the top, is dressed in a dark blouse or dress with simple lines and a polished finish. She accessorizes her outfit with a stylish hat. Maria Oreinou, positioned second, wears a similarly modest dark dress with a high neckline and understated detailing. Her hands gently rest on Maria Angelinidou-Potamiti’s shoulders, below her. Maria Angelinidou-Potamiti, in the third position, is dressed in a dark, modest outfit, similar in style to the others, with clean lines and minimal adornment. Oreinou, seated at the bottom, wears a dark dress with a slightly lower neckline. Her expression is thoughtful, and her well-groomed hairstyle completes her look with a hat.